Crossing… transatlantic cycles: dramaturgy, Candomblé and ritual

ABSTRACT The present work reflects on the expanded dramaturgical conception of an acting black poetics entitled Afrocênica, immersed in AFRO(en)CENA Collective, through scenic experiment Travessias… ciclos transatlânticos. concept expression ritual scene is discussed, outlining notion a dramaturgy cycles, inspired by worldview Candomblé Congo-Angola. It intended to contribute expansion epistemologies within scope performance, especially investment new writings that take into consideration horizontality based traditional social production Bantu.